Tag: The Western Cannon

“One doesn’t have any business writing about literature unless one’s business is literature,” writes William Giraldi in his fascinating treatment of critic Adam Kirsch’s new book on Lionel Trilling, Why Trilling Matters. Giraldi notes that Kirsch himself is a throwback to critic-as-intellectual and calls him: “An Ideal critic of the Coleridgean mold, he possesses a swift…