My Essays

Casting Sophia Coppola in ‘The Leopard’

My Twitter friend the writer Kim Askew invited me to guest post on her site Romancing the Tome last week as part of a celebration of the release of her new book Tempestuous (co-authored with Amy Helmes). I wrote about one of my favorite novels The Leopard by the Italian writer Giuseppe di Lampedusa and why director Francis Ford Coppola should use it as a vehicle to redeem Sophia Coppola’s notoriously poor acting performance in his 1990 film The Godfather III.

Hoping Sophia Coppola one day stars in ‘The Leopard’

I was honored to guest post for Kim alongside such luminaries as famed literary networker Lauren Cerand, writer and editor Edward Champion and publisher Richard Nash.

This is not the first time I’ve written about Sophia Coppola. Last year in The Millions I imagined moving to Paris and bumping into Sophia and her singer husband Thomas Mars somewhere in the Latin Quarter.


Movie Trailer For Kerouac’s ‘On The Road’

On the road – Official trailer – (HD 1080p) by MK2diffusion

William Burroughs got it right when he wrote Jack Kerouac “opened a million coffee shops and sold a million pairs of Levis.” Kerouac and his novel On The Road primed the culture for the Beats and later the ascension of the hippies and the 1960s counterculture. The actual literary influence of Kerouac, and the Beats in general, is still open to debate.I always thought their lives were more noteworthy than their books, although Kerouac’s lyrical abilities and his great sensitivity to the American landscape and the imagination of its people was unique.

Director Francis Ford Coppola bought the rights to the novel more than 40 years ago and it has been a decades-long struggle to get the movie produced.

And while the publication and critical reception of On the Road  was a major coup for Kerouac, he was already in steep decline by 1957 from heavy drinking.

Here is Kerouac reading from On the Road for the Steve Allen Show in 1959. In this clip you get a sense of his natural shyness as well as the gloominess he suffered from at the end of his life.