Javier Marias’ ‘Your Face Tomorrow’ Trilogy

Spanish novelist Javier Marias signing a book.

I have begun re-reading the novel Fever and Spear by the Spanish novelist Javier Marias. It is the first volume in his Your Face Tomorrow trilogy that is published in the U.S. by New Directions.

Bookworm host Michael Silverblatt said the books were what detective novels would sound like if Henry James had written them. Marias’ prose is masterful (Marias has said he prefers the English translations to his original Spanish) and his books contain Proust-like digressions and refined Jamesian investigations into the lives of private, oblique characters.

I hope that Marias continues to win readers in the U.S. and that his name gets on the Nobel Prize shortlist. Here are some excellent  interviews and articles on El Maestro:

Here is a quote from his novel Fever and Spear:

“It’s shocking how easily we replace the people we lose in our lives, how we rush to cover any vacancies, how we can never resign ourselves to any reduction in the cast of characters without whom we can barely go on or survive, and how, at the same time, we all offer ourselves up to fill vicariously the empty places assigned to us, because we understand and partake of that continuous universal mechanism of substitution, which affects everyone and therefore us too, and so we accept our role as poor imitations and find ourselves surrounded by more and more of them.”

photo by: Francesc_2000

Writing and War

It is disheartening to learn that Afghanistan is now officially the longest war in U.S. history. It would have been inconceivable to Americans in 1975, that in a few short decades after the Vietnam War, we’d enter into another long conflict.

Politics and military strategy aside, the wars in Iraq and Afghanistan have already produced a number of important books including the non-fiction work The Good Soldiers by David Finkel, which earned him a 2012 MacArthur grant.

Jacob Silverman has a review in Slate about four new war novels taking up the subject of U.S. fighting men in the Middle East.

Today’s new books have to be considered in light of the cartloads of literature that came (and continue to come) from the Vietnam War.

Vietnam veterans and celebrated writers Tim O’Brien and Tobias Wolff spoke last year about war and writing (video below). O’Brien’s book The Things They Carried is a stunning read by a master storyteller and a must for anyone who is interested in war and literature.

In the Stanford University talk Wolff commented that many anti-war films about Vietnam, such as Platoon and Full Metal Jacket, can actually inspire young people to join the military (Wolf sites Gulf War veteran Anthony Swofford’s memoir Jarhead where he writes about Marines watching Platoon as a way of getting enthused for combat).

O’Brien said he obviously writes anti-war books, but curiously enough, he meets readers who join the Service after reading his work. Here is the video of O’Brien and Wolff:

Tim O’Brien in Conversation with Tobias Wolff on “Writing and War” from Stanford Humanities on Vimeo.

photo by: The U.S. Army

Henry James Meets Proust’s Characters

One of the pleasures of reading literary biographies is learning what happened when famous “writer A” met famous “writer B” for the first time. Some of the great encounters are a young James Joyce meeting W.B. Yeats (or later Samuel Beckett meeting Joyce), Oscar Wilde hiding in the Proust family bathroom, because Marcel was late, and Wilde couldn’t deal with Marcel’s parents alone. More recently we have the clash of East Coast/West counterculture sensibilities when Ken Kesey met Jack Kerouac.

Until I came across the following paragraph in Leon Edel’s one-volume biography of Henry James Henry James: A Life, I had never heard of a writer meeting the future fictional characters of another writer.

That’s what happened on July 2-3, 1885 when the famously polite Henry James agreed to show three French gentlemen (bearing introductions from painter John Singer Sargent) around London. The three men later become some of the principle characters in Marcel Proust’s In Search of Lost time. Edel writes:

“We now know that James had spent his two days with three of Proust’s famous characters. Montesquiou would become the model for the Baron de Charlus. Elements of Polignac apparently went into the fashioning of Bergotte, and of Pozzi into Dr. Cottard. A novelist of the nineteenth century had been cosorting with the real-life characters of a novel of the Twentieth.”

photo by: *clairity*

Interview with New Henry James Biographer

Henry James is the novelist whose writing straddles two centuries as well as two continents. He was an American by birth, English by residence and a European in his sensibilities.  It’s generally agreed that the definitive James biography is Leon Edel’s five-volume work (I myself have the one-volume abridged version, fearing I might miss out on an entire decade of my life while trying to hang in there with Edel).

Picture of five-volume Henry James biography by Leon Edel

There is now a new biography of James that examines his life through the prism of one of his more famous (and accessible) novels Portrait of a Lady. The new book is titled Portrait of a Novel: Henry James and the Making of an American Masterpiece and it is written by literary critic Michael Gorra.

Gorra gave an insightful interview with Leonard Lopate on WNYC radio. Here is the full interview.

photo by: PinkMoose

The Faith of David Foster Wallace

There have recently been a spat of blog posts and articles about the late novelist David Foster Wallace’s faith and whether the upcoming D.T. Max bio of Wallace will shed any light on this important subject. The latest round of interest in Wallace’s Christian faith (we don’t know exactly what denomination he identified with) was set off by a blog post by Daniel Silliman.

Silliman’s post was eventually picked up by The Daily Beast columnist Andrew Sullivan who has a fine article on the subject with links to a number of articles that provide us more clues about Wallace’s Christian faith and how it relates to his work. (Last fall Sullivan also wrote about an article I penned on Catholic writers wherein I referenced DFW’s interest in the Catholic Church).

newspaper-photo-david-foster-wallace

I believe the significance of Wallace’s faith has been largely ignored because the practice of religion, and Christianity in particular, play almost no part in the lives of many literary editors, critics and writers. I think Sullivan gets it right when he writes:

My suspicion is that among DFW’s literary and academic peers, his church-going and attachment to Christianity (however complicated and complex) is not a feature of his life that intuitively is understood – and so the language and themes in his writing that point to this, whether overtly theological or not, tend to get downplayed.

Sullivan has a link to a video titled “A Life through the Archive” which is a panel discussion on David Foster Wallace‘s life and includes biographer D.T. Max. You can also read an excerpt from the forthcoming Wallace bio here.

Last December I blogged about David Foster Wallace‘s concern that writers today are ducking “the deep questions” of life a la Dostoevsky (also a believing Christian). Wallace complained about contemporary literature’s “thematic poverty,” but he just as easily could have criticized its spiritual poverty as well.

UPDATE: 12/8/2012 – I finished reading D.T. Max’s biography of David Foster Wallace, Every Love Story is a Ghost Story, and there was nothing in the book to indicate that DFW was a Christian or a Church-going person of any kind. Max writes that Wallace was interested in the Catholic Church for a time, but was ultimately not able to get past dogma, established beliefs, etc.

One item that may explain why people believe Wallace was a Christian, was his habit of referring to his AA meetings as “church” (Wallace was an alcoholic who regularly attended Alcoholic Anonymous meetings), which was apparently his way of concealing from journalists and others his struggles with addiction.

When Wallace was dating the writer Mary Karr (who later converted to Catholicism), he often talked about faith with her. Max writes:

“Wallace said he was trying to pray, because, even though he did not necessarily believe in God, it seemed like a good thing to do…So for a time Wallace too hoped to receive the sacraments, thinking that if he and Karr were to marry they could have a religious wedding (ultimately the priest told him he had too many questions to be a believer, and he let the issue drop). Wallace’s real religion was always language anyway.”

photo by: bjohnson

Writers & Rock ‘n Roll on ‘Little Brother’

I had the privilege of being the first writer published on the new Little Brother Magazine website this week. I wrote an article on literary writers trying to be rock stars. The article gave me a great excuse to write about my adolescent musical heroes “The Smiths.”

Little Brother Magazine is a new literary magazine (print-based) out of Toronto, Canada that will launch its first issue on Aug. 16. Little Brother was founded by the talented editor and writer Emily Keeler who is also an editor for The Millions.

poster-the-smiths-queen-is-dead

photo by: Anosmia

Trailer for New ‘Anna Karenina’ Film

Fans of both Russian literature and actress Keira Knightley are rejoicing that the two will be joined together on the big screen in an upcoming film version of Leo Tolstoy’s classic novel Anna Karenina. I recently blogged about the famed translation of Tolstoy’s novel War And Peace by Richard Pevear and Larissa Volokhonsky who also translated Anna Karenina.

Whereby the National Book Critics Circle Mentions Me

Link

Book critic Mark Athitakis, the respected author of the blog American Fiction Notes and editor of the National Book Critics Circle’s blog “Critical Mass,” included my essay on Yukio Mishima in one off their weekly roundups last month. It was an honor to be mentioned on the site and with so many other gifted writers. Each week Critical Mass provides a great rundown of the best reviews and essays in the literary world.

Video of Marcel Proust’s Paris

This is an absolutely wonderful 28-minute long video titled “Proust’s Paris” which provides both expert background on the historical events unfolding in Paris during Marcel Proust’s lifetime as well as the details of his and his family’s lives. You’ll also receive a tour of the Paris neighborhoods, homes and monuments that were an important part of his life and work.

The video is from a website called “Radio Proust,” which  has a number of Proust resources, including additional video and audio offerings. A great site

I recently blogged about a number of French-language Proust resources and I’ll shortly be returning to In Search of Lost Time to pick up where I left off last.