In 2011 I wrote an essay in The Millions titled “Where Have All the Catholic Writers Gone?” Little did I know that the topic would interest a great number of people, and that the piece would continue to pop-up in online discussions.
Earlier this week the essay surfaced again when Nick Ripatrazone penned an article in The Millions titled “Counter and Strange: Contemporary Catholic Literature.” Ripatrazone is the author of a new book titled The Fine Delight on what he describes as “Postconciliar Catholic Literature.” He argues that Catholic writing (by Catholics of all stripes) is vibrant and vital right now, which stands (somewhat) in contrast to my case that there has been a significant decline since Vatican II and the disappearance of the old “Latin Mass.”
Ripatrazone nicely summarizes the main focus of my essay:
“While I strongly disagree with Fay’s overall thesis that postconciliar liturgical retranslation led to a decline in Catholic art, his short essay introduces important points. Fay writes elegiacally about the postconciliar shift from Latin to English, or local, Mass: ‘what for centuries had seemed eternal, mysterious, and rich in symbolism — the very marrow that feeds artists — was suddenly being conducted in the same language as sitcoms, TV commercials, and business meetings.’ Was Fay’s observation convenient hindsight, or lived reality?”
I was also humbled to see that my essay seemed, in part, to have been an inspiration for his new book:
“I needed Fay to ask the implicit question, and in the past year I’ve attempted to provide the answer in The Fine Delight, my new book on American Catholic writing after the Second Vatican Council.”
One of the curious aspects of Ripatrazone’s argument is that he dispenses with any kind of specific definition of what a “Catholic writer” is, which allows him to include all kinds of writers under the Catholic tent, such as Jeffrey Eugenides and Thomas McGuane, whom one struggles to associate with Catholicism.